The third note of Dm has no become the seventh of G7 without performing any movement at all.Ĭ, the seventh of Dm has moved a half step down to B which is the 3rd of G seven. The voice leading in the jazz chord progression goes as follows.į is passive when moving to G7. Of D so what we deal with is a seventh chord and not a major seventh chord or a sixth chord. The third let us know if the chord is a major chord or a minor chord. Two voices are necessary in jazz music to indicate the identity of the chord. To G (or climbing an fourth instead) and then falling another fifth to the tonic (or climbing an fourth instead). The bass is starting from the D (the second scale degree of C major) then falling a fifth This picture shows us the II-V-I Jazz Chord progression in C major with only three voices. Your browser does not support the audio tag. II-V-I chord progression and see how to play it as a jazzy chord progression. Now that we know how to form jazz chords I'd like us to go back to the Jazz Chord Progressions - II-V-I With Extensionsĭuring the past three lessons we started to talk about extensions. Jazz Chord Progressions - II-V-I with Extensions
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